In a world increasingly leaning toward comfort and authenticity, Leonard Theosabrata—a respected voice in Indonesia’s creative and design scene, who is also currently serving as SukkhaCitta’s brand advisor—discusses the elements behind HARA. He co-designed the collection with Creative Director, Anastasia Setiobudi. Known for his refined yet practical sense of style, Leo sees this collection as a timely response to the evolving way people dress today.
“People these days want to be more relaxed, more casual in their daily lives,” he explains. “As if to wear these capsule pieces daily as the wearer’s basic canvas.”
The Beauty of Basics
At its core, the HARA collection is designed with intention: to offer versatile, easy-to-layer wardrobe essentials. These aren’t just basics—they’re foundational pieces meant to build upon one another. Take the Hara Easy Shirt, for example. Its collarless raglan style is made to be styled under the Hara Vest, whose structure enhances the neckline and adds depth to the overall silhouette.
Layering, in this context, becomes more than just a styling method. It’s about self-expression through thoughtful combinations of lightweight, unconstructed garments that bring both warmth and personality—without adding bulk.
Color-Blocking, the Easy Way
Leo also encourages wearers to play with layering through color. The HARA collection’s palette of natural, neutral tones allows for effortless combinations—think tonal dressing with subtle contrast. Even when experimenting with color-blocking, the hues remain harmonious and grounded, thanks to the carefully curated dye processes used.
One standout example is Indigo Moss, a natural color innovation achieved through a process called bio-washing. This eco-friendly finish uses enzymes to soften and brighten the fabric, offering a sustainable alternative to harsh chemical methods like stonewashing or sandblasting.
The Hara Vest: Leo’s Top Pick
Out of all the pieces, Leo gravitates most toward the Hara Vest.
Beyond functionality, the Hara Vest is rich with detail: hand-stitched accents down the center line, subtle detailing around the pockets, and the signature SukkhaCitta infinity knot hand-embroidered as a quiet statement of craftsmanship.
Another highlight is the collection’s roping effect, a beautiful result of the natural dye process. Similar to the lived-in look on the hem of raw denim, this effect becomes more pronounced with time.
“The pieces will age the more you wear it,” Leo says. “They’re going to be personalized to you. This is a special characteristic that I like with natural dye.”
Second Favorite: The Canvas Overshirt
Coming in a close second is the Hara Canvas Overshirt. Leo praises its genderless design and everyday versatility. Whether dressed up or worn loose over a tee, it transitions easily across different occasions and styles, making it a staple piece for both men and women.
A Shout-Out to the Parka
Lastly, Leo gives a nod to the Hara Parka Jacket, a standout piece that blends indigenous craftsmanship with modern design. Its unique “anyam” weaving brings texture and its heritage characteristics to the garment, while also adding functional utility.
As Leo suggests, pairing it with the Hara Everyday Shorts offers a stylish yet practical combo that embodies the heart of the collection: effortless layering with purpose and integrity.
With natural dye techniques, meaningful craftsmanship, and elevated simplicity, the pieces invite wearers to build a capsule wardrobe that ages beautifully with them.
Whether you’re drawn to the refined structure of the vest, the soft ruggedness of the overshirt, or the artisanal touch of the parka, one thing is clear: HARA isn’t just clothing—it’s a canvas for living well.
